Saturday, 30 April 2011

(I Don't Want to Be) The Last One to go Home

Edward Hopper - Summer Interior, 1909

Dance defiantly,
The slow waltz with 4 o'clock,
As the music fades,
And the lights fade up.

Vodka scented tears,
Stain your t-shirt with their black mascara tinge;
It's just another step in the dance,
As you sway on your high heels.

And you've screamed with delight
At the sound and the sight,
And you've hugged people you barely know,
(For want of any better words);
And you've hated people you've known too long,
And danced alone to your favourite song,
Four times in a row.

And Journey's been on,
For the fiftieth time that night,
Its personal touch muted
By the grasping claws of the naked mass,
Writhing beneath you, 
And swelling above you;
Like a blackened sea,
Carrying and pushing you along.

And the strobe lights flared like fiery beacons,
On the face of the deep that threatened to smother you,
Whilst the smoke machine spluttered like a retching hag,
When outside in the smoking area you smiled at your shoes,
As liquor stained sentiments
Gushed from between your parted lips.

But now the crowd has ebbed away,
And the barstaff are picking up
The broken shards of plastic cups,
And all you say is, "Just one more song";
But each last one is like a siren,
Pulling you back in.

And you don't want to be
The last one to go home,
But there's something more pressing,
In the way your reddened eyes hold mine,
As you waltz with the naked hour,
In that slow, melodic way,
That knows it's time to call it a night,
And catch a cab back to mine.

Where there's nothing on the television,
And words are like Easter eggs,
Sweet, surfeiting, and hollow.


Sunday, 24 April 2011

Cats:For:Peru - 'We Had This Problem Last Winter' EP Review

Cats:For:Peru

Dear The Reader, 
I recently began writing music reviews for an online publication, We Are Unseen, you can visit them here
I'm also going to start publishing the reviews on this site for your own perusal; and my own pathological cataloguing needs.


You can listen to Cats:For:Peru here.

  In 1870, in the small Northern Irish village of Parkgate, a rather peculiar and morally ambiguous event took place. A poster went up, declaring that a man from Peru was coming to visit the village, and would pay good money for the villagers' cats. Many believed that they could make a fair sum off of this peculiar man's ailurophilia, and so the villagers brought all of their cats out into the street. When it was discovered, subsequently, that no such man from Peru was coming, there was much disappointment, and following this, much irrational selling of cats between the villagers who had needlessly gathered. This resulted in two separate outcomes. One, that all of a sudden some people had a lot of money and no cats; whilst other people had no money and a lot of cats that they didn't want. And two, the Sheffieldian band Cats:for:Peru found the inspiration a century later for their name.

  This is, by means of an introduction, a fairly long winded way of starting a review, but I knew you'd ask. The second question I am assuming you will want addressing is, "are they any good?" and so we move swiftly on.
  Cats:for:Peru have recently released the first EP, We Had This Problem Last Winter, since their 2009 debut album, and in that two year gap they acquired a synth, grew a bit taller, and swelled musically. The opening track of the EP, Open House, contains hints of Interpol's bass lines, Tokyo Police Club's enthusiasm, The Strokes' reggae infused chords, and even a splash of Does it Offend You, Yeah?'s breakdowns. All this should provide a veritable recipe for success, or a rather overstaffed brothy disaster. It is neither. These, albeit subjective, influences are simply spices sprinkled sparingly throughout, and serve simply as a testament to the band's eclectic tastes in music. 
  The actual meat of the music is much more tender, such as on Sleeping on Tightropes and raw, such as on Fear of Better Things. The songs take time to breathe and as a result rarely leave the listener gasping for breath, but they are well structured examples of lyrical ability, and how to use multiple instruments without creating a feeling of claustrophobia. The first two tracks are fairly decent synth powered indie standards that belong in the darkened back rooms of late night showcase gigs. Whilst the closing tracks have the sort of emotional depth that evoke midnight lakes and morning's mist clad forests, whilst the vocals sing of fading love, desperate situations, and futile actions.
  Overall I give Cats:for:Peru's EP an animal rating of Melanistic Cougar. Dark, sleek, elusive, and all too liable to be categorised as representing a whole genre of which it simply makes up a rare and arresting part.

Cats:for:Peru's 'We Had this Problem Last Winter' can be purchased or download from the Sheffield Phonographic Corporation's website for £3.49. A meagre price to pay to encourage the growth of unseen talent.


Wednesday, 6 April 2011

Japanese Sleepers - 'Little Victories' EP Review

Japanese Sleepers

Dear The Reader, 
I recently began writing music reviews for an online publication, We Are Unseen, you can visit them here
I'm also going to start publishing the reviews on this site for your own perusal; and my own pathological cataloguing needs.


You can listen to Japanese Sleepers here.


       Japanese Sleepers are a quintuplet from the seven hills of Sheffield, a river city which was once a industrious silvery pool of steel production set into the fragile beauty of the surrounding hillsides. The band do much to reflect this contrast of manufacture and meadows with their delicate mix of crisp guitars, snapping drum loops, glockenspiels, and folksy violins. Their new EP, Little Victories is a pleasant and slightly refreshing take on the somewhat indie folk feel that permeates through the pirouetting choruses and drifting violin melodies of Whistler's Breath and These are our End Times. The chorus of the band's first single, Celebrate, is reminiscent somewhat of early Los Campesinos! shout-and-clap-along tracks, and there's a definite splash of the Celtic folk hidden amidst the laptop drum samples, and completely mystifying 'sparkle' effect; which the band seem to have hidden somewhere within each song, presumably as some form of 'Where's Wally' in-joke.

       Of course, be not mistaken. This band doesn't fit into the comfortable label of 'indie-folk' so readily. Whilst occasional comparisons with Mumford & Sons et al. may appear, the band bypass the genre to produce something with a slightly simpler sound, which serves both to hamper and elevate their style in parts. On some tracks one can't help but feel the abrupt repetitiveness of laptop generated drum loops and the buzz of tapping synth undercuts the violin and vocals, causing a sense of restriction. On, These are our End Times the song structure becomes awkwardly visible at points, pulling the listener up before they have had a chance to properly submerge themselves in the song. After a first listen one may be left with the impression that they have just heard something ephemeral; appreciable, but lacking in weight.

However, the light melodies and punching rhythm, whilst certainly a little understated, allow the lyrics to be appreciated as an integral middle filling to this 'song sandwich', and it is here that the weight comes to bear. Song for a Satellite Town clearly takes its lyrical cue from The Enemy's, and Indie's love in general, for the mettle and spirit of the industrial northern town. Other lines, such as 'You were a gentle melody/Dancing from a whistler's breath' are permitted to stand alone by the slightly mellow style, yet the Sufjan Stevens-ish electronica keeps the songs ticking over nicely.

Japanese Sleepers are well worth the listen, and their Ep, Little Victories is certainly not one that grows tiresome after just a few listens. To the contrary, once you know what to expect the songs seem to gain something with each play. It would also be worth catching any live gig you can, in and around Sheffield or Nottingham, just to see a violin and glockenspiel accompanied by a macbook. (That their laptop is a macbook is an assumption, but judging by most bands' prerogative, not a massive one).

I give Japanese Sleepers an animal rating of: Alpaca. 

Certainly not just another sheep, and not restricted to mere black and white clothing; yet indecisive towards becoming a full llama. In doing so however, it perhaps gains something else, and becomes a more interesting and individual creature because of it.


Japanese Sleeper's 'Little Victories' can be purchased or download from the Sheffield Phonographic Corporation's website for £4.99. A meagre price to pay to encourage the growth of unseen talent.