Wednesday, 29 December 2010

The Sad and Sorry Tale of My Own Untimely Demise: I

Presence of Mind - Rene Magritte, c.1960


"
1

  
Being a writer is such a shameful and sorrowful way to earn a living that when people ask me what I do I am rather inclined to tell them that I am in marketing.
        If not that, then it is that I drive a taxi, or, my most favoured of all my guises, as I feel it suits my sullen, jaundiced disposition rather well; that I am a private-eye. Out of work and out of luck. Hard up, washed up, down, and drunk. I have always found, rather to my surprise, that one's acquaintances generally accept you as a dishevelled debacle quite readily if you preface your social inadequacies with the threat of a concealed firearm. I believe they see them almost as a necessary requirement in the field.
    And so it was on one afternoon in the height of May that a lonely girl strolled into my life, and upon leaving rather briskly an hour later, took it with her, in the most gruesome and unnecessary of fashions. Life is like a loaded gun, I don't much like the idea of other people having one, but would feel a lot safer with one tucked underneath my overcoat. Though of course I never have owned a gun. Being a writer, not a private eye, in actuality there is not much I have done which I have not just been able to convince myself of having done through instinctive reasoning and arbitrary guess work.
    The event of my own demise is for me a touchy subject, and so I wish instead to spend a little time procrastinating around the morning in question, then ambling slowly into the afternoon in answer, and finally stumbling blindly headlong into the problem in surprised exclamation. As a writer I find the element of surprise to be essential to any deft narrative that deals with the great themes of love and death as it's the best chance one has of subduing them quickly before one gets maimed. Love is a beast one would prefer suddenly to find oneself in the belly of, rather than to remember as a whole the digestive process.
    The morning started much like any other morning had ever started for me. Inevitably. I woke suddenly at 8.45 amidst an ictus of coughing, chocking, splurging, and general suffering, and again at 9.30, and 10.45. I got up at 11, stumbled blearily into a pile of papers, stubbed my toe on a bedside cabinet, knocked my head on a slopping ceiling as I lurched backwards clutching my throbbing foot, and finally managed to push my way through my bedroom door, stopping momentarily only to attempt to pull my way through, before remembering the counter intuitive system on which my entire house was built. Possibly by Escher. The corridor that leads unto my room is narrow and dark, with two sconces positioned equidistantly from both ends that don't so much shed light as they do produce a more orange shade of dark. Flanking these on both sides, and arbitrarily hung along the walls are a few watercolours of what I imagine to be rural scenes, though I have never had the faintest inclination to verify this. I see this corridor twice in a day, once when I blearily awake, and once more when I  blearily stagger home blind drunk, and at neither extreme am I tempted to appraise their artistic worth.
    There is another interesting aspect to this corridor, and that is that it has been made to appear to the untrained eye to writhe and twist disconcertingly towards each end. The reason for this was not quite known to me, save beyond being merely another facet of a house designed to infuriate and disorientate as part of a grander scheme of imperialist expansion, till one night in November when I staggered home blind drunk to that particular house for the first time. Upon scaling the banister I conducted a rather precarious turn, and faced what I found to be a perfectly level corridor. It has become over time, through way of repetition, clear to me that, by painstaking mathematical and artistic processes, the corridor was designed to perfectly counterbalance the refraction of sight lines that occur when too much alcohol has entered one's blood stream. The reality of this was lost on me upon first viewing this feat of architectural dilatory for two very important reasons.
    The first of these reasons was that upon seeing this perfectly straight corridor my eyes were immediately drawn down the symmetrically converging sight lines onto the unmistakable shape of an axe, and from there onto the shape of an unmistakably angry man, who seemed unmistakably fixed on removing the view from my shoulders. I had very little time to reason first whether he was a burglar or an assassin, secondly, his weapon of choice, and  thirdly what avenues of action lay open to me, before he was too close for reason. Luckily for me, as I post-rationalised later, he had not the advantage of being unmistakably drunk, for he took three great lumbering steps towards me, swung the axe clumsily at my head, and, most likely because of the disorientating effect of illusion, missed, embedded it in the corner to which I was next, and pivoted himself round, and down the stairs. There emitted from his great silent form as he flew past me a half uttered syllable which I caught with surprise, before a howl that became a shriek that became a sound which made my blood curdle, that very abruptly became silence once more. The sound that directly preceded its absence was a sound that cut sharply through the fog of drunkenness enveloping me, like the lamp of a lighthouse swiftly slices through the night's veil.  It resonated through me, making every atom of my being shrivel together for protection, and pierced my soul with a sickening thud. It was a sound I have heard only once since then, which I regret with every mangled bone of my pulped body, and I have no intention of attempting to describe it here, but will suffice by simply describing the rippling effect it had upon my own person, in the desire that you comprehend, but do not understand.
    By the rippling effect, I refer to the theory that each and every occurrence in the universe has multiple consequences which begin each other, and that these ripples of accountability spread through the pond of life until they either peter out, or run into something bigger. For example, I have already described the effect that one man's hurried introduction to a stone floor rushing excitedly towards him can have upon another man's sensibilities, but I have not yet explained one of the many, more immediate, consequences of this first great ripple. And that is the second of the two reasons why, upon seeing the corridor in all its unadulterated structural glory, I was not immediately impressed. Namely, the sudden and rather jolting realisation, that this was not my house. This realisation was in turn sharply followed by the realisation of what had just happened, a sudden justification for the man's misjudged actions, and an abrupt involuntary emittance of a whimper that I hastily swallowed back down out of fear of a far weightier substance which suddenly manifested itself in the back of my throat. "

Saturday, 25 December 2010

My Favourite Albums of This Moment in Time II

Alberta Cross 

Broken Side of Time

Yo La Tengo 
-
And Then Nothing Turned Itself Inside-Out

We Were Promised Jetpacks 
-
The Last Place You'll Look

Toe 
-
The Book About My Idle Plot on a Vague Anxiety

Bombay Bicycle Club
 -
Flaws

Miles Davis 
-
Bitches Brew

The Dead Weather
-
Sea of Cowards
The Black Keys 
-
Brothers

Lovvers
 -
OCD Go Go Girls

Tuesday, 21 December 2010

God... or Crack?



A question I often wonder in some of my quieter, more reflective moments is; if He does exist, and all the evidence tends to be pointing towards the, 'maybe, but if he does He's a dick', response, just how popular is this God person anyway? Is he bigger than a lemming, or is he, say, smaller than Neptune?
Well for many years I was unable to answer myself that question as any research into the topic area would invariably lead to the necessity to talk to Christians, who, as we all know, make my sensibilities hurt with their powers of condescending, forced, and self-interested charitableness and eagerness to go along with stupid and ill-informed ideas. But now all of that has changed as I have just remembered the internet and the infallibility of statistics. (And if you think an abstract concept with a practical application for looking at the few and applying it to the whole isn't as infallible as a man in an unnecessarily large hat, well what even is Christianity anyway?)
So now, for the first time in human history, we are finally able to put an end to all the needless philosophical debates on the nature of religion and of science, whether the two can offer objective truths in a universe without any particular idea where its going or what it's up to later, and most importantly off all, which is better;
God…. or crack?

Okay, so the first question that comes to my mind when tackling an issue this large, is; just how large is the largeness of this issue? Is God truly omnipresent? and if so, why then do we refer to Him as He? Because that necessitates a position in space for me to be able to label Him as a quantifiable object that could be subjected to a position separate from, say, She, or I, or That Thing Over There... Yes, That... No Timmy You Know Perfectly Well What I'm Talking About... Yes, That One... What The FUCK Is That?!

So then, our first question becomes, how big is God? Well, let's start small...
Is He bigger than an atom?




Right... well I can easily accept that. But is He bigger than the entirety of Science?




On average no. Okay, well at least we know who could take who in a fight, although science does seem to be consolidating slightly more towards God's size. However, being both metaphysical concepts visualizing their comparative size without a physical context becomes rather arduous.
So, is He bigger than Ireland?




Well apparently he didn't used to be, and this raises three very serious questions, mainly:
1) Just how big is God planning on getting?
2) Where is he hiding now?
3) Why does Ireland suddenly become massively unpopular at Christmas?

Well only God, and possibly Elvis, can answer the first two questions, but I have developed a theory on the third, which I will now explain.

If we are to understand Ireland's regular dips in popularity, we must first discern which countries search 'Ireland' the most on Google, and, in the context of everywhere else in the world, that is pretty much entirely just Ireland. The Irish, and I base most of this assumption entirely on experience in pubs, tend to be rather nationalist in their introspective outlook, which would understandably result in the popularity of searches within that country for the self same country's name; so that the proud Irish people can research on Wikipedia many of the interesting facts about themselves. However, come Christmas time, the Irish have an unerring propensity to get so extraordinarily sloshed, sozzled, soaked, and solidified in liquor, that when they return home and attempt to search the name of their much beloved country, as they usually do, they find they cannot remember where they are.

Fig. 1 - Irish Santa doing it wrong.


Of course, being a metaphysical concept as opposed to a Western European state there is only so far you can stretch the balloon of comparison before you upset a small child. So maybe we should look at God in terms simply of his popularity, having already established that he is, currently, slightly larger than the country of Ireland, and just about comparable to the entire concept of science. Well, just how popular is God? 




So, God is a lot more popular than peace, but not quite as popular as war. Figures. This is the Godless era, and we are the orphans of the earth. I am a product of the bureaucratic system that spewed me out into a sewage of idiots, and I am struggling for air. The lifebelt to land has been denied to me by a conglomerate of self righteous zealots constantly proclaiming it to be 'Tea Time!".
I would rather drown than be stuck in that perpetual party of Hatters.

So what has replaced God in our time of constant need? Is it as the title of this diatribe so tantalisingly suggested?


Apparently it used to be. But no more. Well, I can offer no real answers to this question then.
Save perhaps one...




I'm floundering.


Sunday, 19 December 2010

My Favourite Albums of This Moment in Time I

The first of a few such posts, aiming to comprise a fairly eclectic mix of artists you probably already are (but should definitely) be aware of. Click on the pictures. DO IT.


Acidman
-
赤橙
Band of Skulls
-
Baby Darling Doll Face Honey


 
Black Mountain
 -
Wilderness Heart


 
Broken Bells 
-
Broken Bells


 
Crystal Stilts 
-
Alight of Night


 
Deerhunter 
-
Halcyon Digest


 
Distance 
-
My Demons


 
Jesu 
-
Silver


 
Radio Dept. 
-
Never Follow Suit

Saturday, 18 December 2010

The Near East and the Free Market Capitalist System: A Brief History


Pokhara, Nepal - Sergi Barisashvili, c.2010



Here's another essay I found that I have written at some point in time that is neither the continuously restless present, nor the fast approaching future. The original essay title was 'Examine the significance of notions of 'The Orient' throughout European history.' and the restrictions of the allowed word count were enough to force it into being a fairly contrived and under-developed argument in my opinion, whilst also taking far too much from Said's Orientalism simply to get referencing and comprehension marks. Anyway, read at your will, or against it, and again, seriously, copy this and in 4 days your wildest dream won't come true, and instead a man in a grey overcoat will drug you, take you home, and make you forcibly preform the entire musical, Les Misérables over and over again, in drag and in Japanese, whipping you every time you miss a note or misuse a grammer structure, with a salty barbed wire whip, all to the backing-track of Justin Bieber's album on repeat until you finally escape aged 46 to discover absolutely no-one even noticed you'd gone. And if by any chance this is your wildest dream, give me a call on 07786414610 or add me on fetish.com, my username is crossdressingasainbieberphille1789. また来週 baby... ; )


 
   In writing a response to this title it is, I believe, necessary to approach the question from several different angles, namely; how would we define the notions of the 'Orient', and how have they changed throughout history, if indeed they have? What are the implications of such notions and over what ends do they hold significance? And lastly, how is the 'Orient', and indeed 'Europe' defined. It would appear implicit in the title that these 'notions' are European notions, and indeed what else could they be, for, as Said proposes in his discourse on Orientalism, The Orient is, "almost a European invention", and so I feel this area of inquiry holds little to be expounded upon. However, it is an important and integral concept as, whilst there exists a hegemony of Orientalist thought in the west, through Orientalism to its spiritual successor, Globalisation, there exists within the Orient itself no equal intellectual hegemony on notions of the Occident. The consequence of this is that any question of this nature, encompassing both Europe and the Orient, is destined to focus upon the effects Europe's own notions of the Orient had upon itself, as opposed to the effects upon the area of its study, as whilst the Orient is often portrayed as being the opposite of the Occident, it is in historical, cultural, political, and religious terms, more commonly perceived, in European notions, as its inferior.
    It is towards this assumption I believe the title refers in its use of the word 'notions', for since the time of the Ancient Greeks up until present day the Orient has been conceived as an "antitype" (the term and the concept is Said's), against which Europe can define itself, and justify its assumption of cultural, social, and religious superiority. But Europe, it should be considered, is by no means homogeneous in its Oriental outlook. An English man in India during the latter half of the Eighteenth century is predisposed to view the Orient differently from a French man in the same position, the former seeing it with the notion that he has some preordained right to, and cultural familiarity with, the area, the other seeing it with a sense of loss, forever relegated to the eternal romanticism of oriental antiquity within which one could have placed Egypt during the Victorian Era. The significance of this notion of an "antitype" in European history is to create, through a grander sense of scale, a forced homogeneity by which Europe defines itself as an entity, uniting these different Oriental outlooks under the banner of European culture, and by extension commerce, religion, politics, and so forth. By this I mean that if any society is to create a notion of an "antitype" it must first decide what defines it, and by defining which of the surrounding societies have similarities to ones own, and which are diametrically opposed, one forms a cultural alliance and hence a definition of not only the Orient, but also of a more unified Europe.
    This leads on to an interesting and relevant point to which within the confines of a short essay I can do no justice, but also no harm. I feel it worth mentioning that Europe is by no means a unified continent. One need only to mention the World Wars, the Iron Curtain, and the word 'Empire' to justify this, and it leads on to a relatively interesting concept integral to this question. That is, can one truly talk about the 'Orient' or of 'Europe' as a whole in such a context, whilst fully appreciating and appraising the scale and diversity of his subject? Or, when one talks of 'Europe' or of 'The Orient', does one simply refer to the hegemony of one country, or set of ideals, most prominent at the relevant point in history, in opposition to the Orient? I cannot answer this question here, but I pose it because it underlines the problem that Europe is only ever spoken of in terms of a body acting in unison when in the context of another large body, such as America, Africa, and most importantly here, Asia. So, when talking of Europe in this way, one must be aware that one is not talking about Europe as a whole, but of a set of prominent ideals or powers that define Europe only for the purpose of what one is attempting to argue. In this sense then a definition of Europe is to an extent subjective, and subject to its extent. However, there is one useful and established way of looking at Europe in the context of Asia, and so it is, that we must return to the notion of western dominance.
    It is I believe a limitation of Said's scope in Orientalism to address the desire to dominate only within the Western trait. The Persian Empire in the east limited Roman expansionism after the first century BC, and both empires became caught up in a long war over territorial gains, whilst the Mongolian Empire's attempted conquest of Europe between 1241-1242 posed a notable threat to the west,  with half of Hungary's population being wiped out in the process. I feel instead that seeing the assumed superiority of one's own culture over others is not a quintessentially European notion as Said at times may suggest, but rather a notion inherent to humanity in general, accessible to those who have the power and hegemony to utilise it. However, it is an unavoidable fact that this cultural domination in terms of notions of superiority over the 'Other' has applied to Europe throughout much of its history, part of its significance being an interest in the Orient for self-affirmation of its culture and its political ideologies, the greater significance, however, occurs when this self-affirmation is mixed with religion, and developing after World War Two, liberty, and the notion recurrent throughout European history, that these ideals should be spread to the 'un-enlightened' Orient.
    Whether the attempts of Europeans to spread these ideals, be it through conquest, Colonisation, or Globalisation of a free market are down to self perceived superiority is of course debatable, but at the moment  for the sake of argument we shall suppose that they are, simply so that we can outline the significance, or effects, of these notions without the argument becoming confused. If one wanted to define Europe from the Roman Empire till the twentieth century, one would probably define it by Christianity. The Crusades from the eleventh century till the thirteenth century are a quintessential example of the attempted expansion of European beliefs into the Near Orient in an attempt to crush the spread of Islam, seen as a fake religion, and reclaim the biblical lands, which, by its very nature belies the inherent presumption of right over the Orient. By the time of the fifteenth to twentieth centuries commodities and territorial expansion has begun to take precedence over religion, which manifests itself in Imperialism and Colonisation. By modern day, the notion that the Orient should be liberated and brought into a free market system takes the stage in the form of Globalisation. From this the significance of notions of the Orient as inferior, or in need of salvation are quite clear throughout European history. However, two questions arise that must be addressed immediately in order to examine this question in detail, and in context of European history as a whole. These are, have the motives for European expansion into the Orient changed, or have they always had the same underlying intention? And, can the effects listed above be fully attributed to an arrogant sense of superiority alone?
    I would suggest that throughout history, and exemplified in the instances given above, the significance of notions of the Orient on European expansion has always been underlined by economic acquisition. When I speak of Europe I now refer to the definition of Europe outlined previously for clarity, that by Europe I mean the dominant power or set of ideals that held a hegemony over the cultures of Europe at any given point in history. Expounding on the proposition that Europe's notions of the Orient had significance mainly for itself, as opposed to the the area of its study, and the problem of a disunited Europe, as shown through the spread of empire, I would now suggest that the main causal link essentially boils down to the desire for resources, and for money.
    Evidence for this can be found throughout European history. For the Romans, Egypt's "vast accumulated treasures and huge harvests had proved very useful to Augustus".(M.P. Charlesworth). Its fertile harvests could supply Rome in times of famine, but as such could also be used as a weapon, as by Vespasian in 69 AD, when he invaded Egypt and cut off the corn supply to Rome, he was crowned Emperor that same year. Out of this fear of reliance upon an external power, the Romans explored Africa in search of alternate food sources, such was their hatred of reliance on an Oriental "prating and arrogant people".(Pliny the Elder). The crusades, it could be suggested, were driven by a desire to counter the aggressive spread of Islam, but also by a desire to plunder the treasures of the Near Orient. British colonialism was to some large extent driven by a desire for trade routes, commodities and luxuries, whilst the Russian conquest of Siberia in the early nineteenth century, which they refereed to as "our East India", was for domination of the fur trade. This could be said to extend right up to present day where under the guise of liberty, western notions of 'free market' are set up in Middle Eastern countries, essentially opening up a market system whereby Europe, and to a larger extent America, selectively benefit from the resources of oil and cheap labour, whilst the Middle East gets to buy their coke, their cars, their coffee. In short, be inducted into their culture of materialistic culture.
    In conclusion it could be suggested that notions of the Orient have remained fairly consistent throughout European history, and have been ones of supposed dominance by Occident over Orient in the guise of either cultural, social, political, or religious ideals. The significance has been the use of this supposed dominance in the acquisition of, or control over primarily what would appear to be resources and money, be it in the form of Arabic treasure or of a consumer market, resulting in, or as the result of, the extension of dominant European notions into an Orient viewed as being inferior to its counterpart. Further to that, based on this trend the significance of notions of the Orient will continue to affect not only European history but its future as well, as it would appear from the argument outlined briefly in this paper that whilst the moral justification for supposing superiority over the Orient may change, the economic motivation for intervention remains in principle the same.

Monday, 13 December 2010

The Lonely Station

Automat - Edward Hopper, c.1927

Again, it was only me who couldn't sleep,
Illuminated by the subdued hue of the television lights,
Financial market reports and natural disasters,
In places I'll never go,
And to people I'll never meet.

It meant nothing to me,
If infant mortality rates had fallen,
Or that the pound was bearing up against the euro,
Because I knew that some things change,
And some things don't change.

Because I knew that trains were passing by at night,
And out there somewhere so were you,
Heading to the sixth station,
For the final time.

There'll be no flashing lights,
No neon stained rain,
No glamour,
No imagery...

I won't walk out of the mist,
Or into the night;
Fade to black...
Cut to white.

There'll be no emotive underscoring,
Or heart wrenching violin crescendo,
Just a mumbled goodbye,
And a fumbled indiscretion,
Feeling in the dark.

In an undertone you told me that,
"My world moves because you do",
And I retorted,
"But the stars still shine regardless".

It was the sort of bleak imagery given beauty by your eyes,
And it was the kind of hollow rhetoric that I so despised in myself.

But stock markets crash,
And empires crumble,
And still your train rumbles
On through that long night,
I really hope it crashes,
I really hoped it might.

Sunday, 12 December 2010

SPOT THE DISSIDENT!

Can you tell if there are any dissidents in these two identical photographs? 

If so, simply post in your answer, along with a family portrait and a return address to the Politburo, and you could win one of many faabbulouus prizesss! Prizes include; Bread!(subject to availability) A wild wacky adventure for you and all the family, from being led out of your house in the dead of night and taken on a Magical Mystery Tour, ending with a guided tour of the NKVD Headquaters! and even a chance to meet renowned comrade, Comrade Vasili Blokhin himself!!! 

Successful applicants will also be allowed to experience first hand a stimulation of what it must be like to be a dissident, and may even get the chance to appear on telly with the great Comrade Stalin Himself! if they can act the part of traitor to the revolution well enough! 

So whattar you waiting for!?! 

Get spotting, and remember;

"Stalin always knows best, and where you live."



Where's Trotsky?

Comrade Trotsky, the degenerate traitor to the Glorious Revolution (instigated all those happy years ago by our benevolent and wise leader Comrade Stalin, may he reign *ahem* watch over the joyous construction of our communist Utopian state until such time as it is deemed by the masses to be complete at which point he promises to retire and give it all up *super promise*!!) has infiltrated the great Mother Land, and is hiding here, somewhere amongst our most loyal and constantly pleasured comrades, who cheer for Comrade Stalin as he spits on the Western pigs of smut and sleaze and money and wealth and food and clothes and g....

Brothers, I bring news that Scumrade Trotsky has infiltrated even here, into the great news rooms of the Blogosphere itself. Comrade Van der Valk had been corrupted by Scumbag Trotsky's (Spit on him! Spit on him!) lies and sabotage, and as such has taken a short leave of absence to Siberia to be helped in his rehabilitation.

Can you find Ex-Comrade Trotsky and rehabilitate him with an ice pick before he does anymore damage?

"Stalin always knows best, and where you live."

Comrade Mikoyan



A Cloudless Sky is Heaven to Thee; But Heaven is Clouds as Far as I Can See.



A drifting cloud am I,
Free to roam the sky,
But I am drawn to thee
To be thy canopy,
In the soft sound of the blue;
As I hold my rain from you.

And the sun falls by my grace,
To keep from your soft face,
It's all effulgent flame;
And so you catch a plane,
To rise above my guile;
And move to some cloudless isle.

But time is pleasure's drain,
And in the sound of rain,
A quieting beauty knows,
'Pon which the flower grows,
So soon you shall return;
Because you got burnt.

Another lesson learnt.

Friday, 10 December 2010

PEEK-A-BOO STALIN 1

Whhheeeerrree'ss Yezhov???... 
































Whheeerreee's he gonnnnee???... 





























 

Whhhheeerree is he???...










 ...










 ..









.











DAWHHHH!!!... 
DAREE HE IIISS!!!...































DAAAREE HEE ISSSSS!!!











fin

Apropo of This

After I made my last post I found a few photos I used to have on my desktop of Russia during the 1917 Revolution, and some of other times. None of them are mine and all of them are most likely copyrighted, but when has communism ever been better than when ironically misused to justify redistributing other people's work? 
"Peace, bread, and illegally available capitalist western entertainment. Hell Yaahh, Mother-Rrrr, Peace & Love, I'mmm outttaaa heeere!!" - Lenin.

Russians stand in line in 1917 for bread, being watched over by Okhrana. I believe the photo was taken By Captain Donald C. Thompson, an American present in Russia during the revolution. So often people talk of popular revolution as having an ideological basis, but ideals are something only seriously talked of on a full stomach. 

WWI had severely impacted upon the image of the Tsar, who in a poor P.R. move had taken full control of an army fighting a damaging war in a severe winter, thus making himself directly blamable for any tragedies or individual loss of life, of which there were plenty during the period. Here sympathetic troops support banners bearing Bolshevik and Marxist slogans.

 And here troops open fire on protesters in Petrograd in 1917 during the July Days. The support of the army to the revolutionary cause was essential to success, and it could be argued that it was one of the driving factors of the revolution, perhaps more so than the grass roots proletariat cause. By the height of the February Revolution in 1917, around 54% of workers were on strike, whilst roughly 94% present of the army had mutinied. The mutinies were sometimes violent in nature, but about 95% were passive, with soldiers simply refusing to fire. By the end of the July Days, the number of loyal Tsarist companies, squadrons, and batteries left, numbered 11.

Soldiers and civilians mix almost imperceptibly during student protests in Petrograd. It is an example, taken in the context of the above images, of the duality of society, being both an individual, and part of a larger body, and the problems that arise when one must choose between the two.

Thursday, 9 December 2010

Essay on the Nature of Terror

An essay written whilst still at school that's been knocking around for some time. Don't feel obliged to read it, I'm just filling time that should be spent working. Even I can't be fucked reading it before I post it, and I wrote it. Don't copy or re-post this or in 7 days the girl you've always liked will kiss you and you'll get scabies, then get sick on her. Then you'll die.


    Throughout the years of 1936-38, the Soviet regime initiated a period of repressive measures, campaigns of violence, and show trials that targeted not only the Bolshevik party itself, but grew to incorporate the military, lower level administration, the affluent and the peasantry, spies and conspirators, and even the halls and corridors of the purgers themselves. In examining the nature and impact of the terror the purpose of these deaths, and the motives behind them must also be examined. To glean a comprehensible picture of the Great Purge it is necessary to discern the degree of control personally exercised by Stalin over the terror, and the extent to which the gains that he stood to make were personal, as a pose to ideologically beneficial for the regime itself. To this effect it is first useful to define a rough estimation of the number of deaths attributable through direct causation to this period of instability.
     Russian historians writing after the Kruschev Thaw, place the figure at around 725,000, whilst Western historians, writing during the Cold War, suggest a figure closer to 1,000,000. In these cases, Western historians may be led to overestimation in the political climate of the day, specifically the lack of reliable information available during the Cold War, whilst Russian historians may have been misled or swayed by declassified Soviet archives which may have falsified and underestimated figures in order to cover the tracks of the NKVD. In addition to this, around 2 million people were imprisoned in the Gulags for political crimes, whilst millions of others died from famine due to the regime's ineffectiveness in responding to crises. In contrast to this, only 3,932 people were executed by the Okhrana for political crimes throughout 1825-1910 under Tsarist rule, and in 1905, 3,900 internal exiles were allowed to live and work within Russia, whilst the policies of Perestroika in 1987, and Glasnost, initiated by Gorbachev saw a relax of repressive measures, and a more lucid form of free press and transparent government open to public debate. The overall suggestion of this context is that despite the unreliable nature of these figures, the context of political deaths and freedom from political repression before and after the 'Great Terror', and the high average scale for estimates of deaths during this period suggest that the purge was not limited to just rooting out political enemies, spies and conspirators, as the Okhrana did under Nicholas II, but the policies of Gorbachev, aimed at appeasing the general population as a whole, and the revelations in the press as to workers' poor living conditions and human rights, show an attempt to make reparations, perhaps, for a terror more widely concerned with targeting a broader base of the population who could not possibly have merited in their entirety the titles of spy and saboteur with which they were all so often tarred.
    Historians often agree that neither the regime nor Stalin gained much from the purges, and in many instances they proved to be rather counter-productive. The purge of the Party in 1933 saw 1.9 million members removed, compared to just 220,000 in 1921 under Lenin, massively complicating the administrative procedure, leading to planning delays and wasted resources in industry and famine relief, as well as seemingly weakening the intellectual strength of the party, at whom the purge in this instance was aimed. The purge of the Red Army in 1937, on the eve of the Japanese invasion of '38, and the Nazi invasion of '41, led to a complete failure of strategic planning, organisation, and an effective chain of command. The People's Commissar for Defence, Voroshilov, at the time stated that roughly 54,000 soldiers had been removed from the Red Army as a result of the Tukhachevsky executions in 1937. In industry, 'bourgeois' managers and skilled engineers were purged and replaced by unskilled and overly ideological 'Red workers', rushed through engineering school and given important roles in production in order to speed up the process of Stalin's five year plan; with the number of workers in industry rising by 8 million during the 1930s. Whilst the massive influx of industrial workers led to major rise in factory output, the unskilled nature of these workers caused souring costs through mismanagement, and a need for an increased quantity of manual labour, leading to a subsequent drop in wages and living conditions. The motives behind, and the extent of, Stalin's personal involvement and interests in the purge of the military and administration are debatable, but it is this element that would allow a greater insight into the true nature of the terror, as it will suggest as to whether it was driven by Stalin's personal desire for control, or by the wider regime's fear of loosing it. One view for example, supported by Conquest, on the purge of the Red Army, is that it was an attempt by Stalin to gain control over a rapidly failing body of dissent. The executions of nearly all senior commanders could be seen as a means by which Stalin aimed to remove political ideology and personal independence from the army, and replace it with fresher, blanker minds,  brought up from pups to see Stalin as inseparable from the patriotic furore of the USSR, as he had done in the Politburo, during his fight to overcome the United Opposition in 1926. In both cases granting himself a much more personal level of control over authority, separate from other members of the party who may well have posed a threat to his personal power.
    The Kronstadt Mutiny of 1921 had shown the armed forces to be in need of pruning in terms of political thought, and the ability of the navy to make contact with the outside world, docking in neighbouring countries, being away from the influence of propaganda and the NKVD, fuelled suspicions within party ranks as to the political purity of many sailors. One notable example is of a flag-officer named Ozarovsky, who was tortured and executed after being shipwrecked and coming into contact with a Norwegian Steamer, despite the fact that he had refused any assistance from them for fear of this exact same retribution. By 1938, over one third of all party members had received no political education whatsoever, and the number of party members serving in the army had been depleted by over half, roughly equivalent to 125,000 men. These figures imply that the Purge was directed at weeding out ideology and free thought from bodies that could threaten the regime, which, whilst possibly a move by Stalin to further his position, could also be seen as a move by the party out of fear to protect their own.
    The removal of all but 45 out of 263 of Army commanding personnel, and all but one of the navy's admirals, seems to suggest a desire to remove any authoritative element of the military that had come to view itself as being able to undertake responsibility independently of the party, as, in terms of efficiency for example, it proved to be entirely counterproductive. The impact of such removals of key figures within the military was to the effect that when war with Germany arrived, the failure of administration in both government and military bodies led to avoidable losses, and poor strategic planning. As was already evidenced in Nicholas II's failed attempt to be control both the state and the army during the First World War, if the nature of the purges was in Stalin's  furthering of personal power, then this would inevitably lead to blame and discontent from the populous being placed directly upon himself.
    In contrast to this, the impact of the terror can also be seen in its use as a system for the enforcement of rule, and suppression of such dissent, emphasising the role of ideology over personal interest, and stressing the notion of strong, centralised leadership, in control of the majority of aspects associated with the purges. Conquest once described totalitarianism as, "a political system where the state, usually under the control of a single political organisation, faction, or class domination, recognises no limits to its authority and strives to regulate every aspect of public and private life wherever feasible". If we, first of all, accept this as our definition of the term, and secondly, assume this term to be an accurate representation of Stalinist Russia, then it is fair to deduce that there are elements of suppression and forced control suggested within this definition that implicate totalitarianism as being, 'against the will of the people'. It is evidenced throughout Russia's history that suppression of the population has long been a contentious issue. The secret police grew under Nicholas II out of a need to quell Populist dissent and suppress Socialist Democrats and Revolutionaries, leading in part to the discontent that sparked the revolution, whilst both Andropov and Putin once were heads of the KGB, which as late as the 1980s trained recruits with manuals written by the Okhrana. From this definition it could then be deduced that the more the regime imposed restrictions upon its people, the more discontent its people would grow. From this it could be said that the nature of terror and fear could be seen in their use as political tools to cull the dissenting sentiments they themselves caused, with the nature and purpose of the purges being then as a weapon wielded against those who threatened the stability of the totalitarian regime. This theory as to the nature of the terror portrays the regime in a strong and malicious light; authoritarian and rigidly centralised, and draws much of its reasoning from Western perceptions, around the time of the late 1940s, towards the comparisons between Stalin and Hitler, as World War II ended, and Russia emerged as the new threat to western Capitalism, as well as suggestions made by Khrushev during the 20th Party Congress in 1956, placing emphasis upon Stalin's cult of personality in the motives of the terror.
    Whilst not unfounded, these comparisons certainly predispose any conclusion to the assumption that Stalin was the strong figurehead at the forefront of all operations, and in full control as to the extent and nature of the purges, just as Hitler was perceived as a figurehead and embodiment of the Jewish purges of the time. This is supported by the 'Doctor's Plot' of 1953, were the accused were predominantly Jewish, and many historians believe it would have led to mass jewish exile had not Stalin died, suggesting his personal control over the purges. However, revisionist historians such as J. Arch Getty, have been forthcoming with alternate theses as to the exact impact of the terror which should also be explored if any balanced interpretation is to be reasoned. More specifically, it is important to consider the wider context surrounding the Great Terror in order to understand the social, political, and physiological atmospheres at the time, and the response of the regime to this period following Stalin's death.
    The society of 1930's Russia was evolving at a rapid state, the first Five Year Plans had propelled Russia's agricultural and industrial outputs forwards, in many cases quadrupling fuel productions, and creating an atmosphere of fevered expectancy for the future. The downside of the rapidity of the industrialisation drive was a rush to complete projects on schedule with new and unskilled 'red workers' with ambitions twice the size of material stocks, creating an atmosphere of fevered tension, competition, mistrust, and a tendency to blame others for mishaps out of fear of being blamed themselves. Another factor to consider is the political climate of the day. The Old Bolsheviks, who had made their bones in the 1917 revolution, and served under Lenin, still made up a sizeable proportion of the party, along with newer breeds of Bolsheviks who were less politically indoctrinated, and more loyal to Stalin, amongst other such factions. The Old Bolsheviks, who constituted the majority of the Politburo, held a general consensus that violence and terror were viable tools in policy and its implementation; their political ambitions and views had been forged by the fires of the civil war, and under the repressions of Tsarist rule they had become masters in conspiracy and deceit, with mistrust of each other fuelled by fears of assassination. The murders of Interior ministers Sipyagin and Pleve in 1902 and 1904, and the murders of prominent government dissenters such as Politkovskaya, an objector to the Chechan conflict, hint at Russia's longstanding culture of politically motivated killings, explaining why party members often carried loaded guns when in the Politburo. This wider context further illuminates the nature of the purges as, whilst those who strongly oppose a group, be it authoritarian or subversive, have always met with silent sabotage, the scale of the purges in contrast suggests that the terror was not solely concerned with rooting out threats. The fact that Kirov was the only political assassination during Stalin's rule suggests either, that the need for 'assassination' was negated by the tool of the purges, that the people were generally complicit in or ignorant of the terror, or that Stalin's purge of the intelligentsia had been effective in completely removing the voice of dissent. The first suggestion carries weight, but ignores the problem that it is the people without access to such 'tools' that we must consider, and so we must turn to the other two suggestions.
    From this can be seen the political and social climate of the 1930's, one of mistrust and tensions between old and new, between skill and loyalty, experience and vigour, but also of economic reforms and industrialisation, to put it glibly, it was a time of enthusiasm and fear. But what then of the catalyst that turned climate into tempest, and brought about the scourge of purges that swept the land? To discern this, it is necessary to look briefly again at the consequences of rapid industrialisation and poorly trained work forces by the late 1930s. When bridges collapsed, or trains crashed, someone had to be held accountable, and neither the common peasant, nor the highest Bolshevik, could neither accept nor voice the opinion that it might be the policy or the plans that were at fault. The notion that the Party was infallible had been evidenced in the show trials, as Kamenev and Zinoviev, it has been suggested, held an instinctive reasoning deep inside of them that even though it transcended all reason, they must be to some degree accountable for the crimes of which they were accused because in their heart of hearts they still could not believe that the party could be mistaken.
    When Lysenko became the leading influence in Soviet agriculture, his unproven and unaccepted views on the nature of grain production most likely contributed to wide spread famines throughout the 1930s, as his ludicrous hypothesises became official Soviet policy, which in turn was implemented on the collectivised farms, leading, in part, to the failure of crops. This is an aphoristic example of the authority over intellect, or simply an absence of the latter, the impact of the purges having been to cripple the intelligentsia, and thus make it much easier for such hypothesises to go unchallenged. However, when famine or drought spread, it was the meteorologists who were executed, rather than contingency plans readdressed, and veterinarians who were blamed for cattle disease, as a pose to the state, for its inability to respond effectively to such crises. The overall suggestion of this psychology is that if the party was infallible, and the 'red workers' were fundamentally loyal, but still accidents and disasters occurred, then the only solution left, was sabotage.
    In the political climate of the time, if this hypothesis is accepted, then the motivations for the purge of the Red Army with the imminent threat of war looming large can be reconsidered in a more convincing light, and thus to an extent the impact of these specific purges may be expanded to apply in a broader sense to the terror as a whole.
    Foreign policy and a wider world context are extremely important in understanding the motivations of the terror, such as Hitler's rise to power in 1933 and program of remilitarisation with the open intention of destroying 'Godless Jewish Communism', sparking fear of German spies and saboteurs. By it's very nature, 'Socialism in One Country' suggested a general mistrust of foreign influences. America and Britain had supplied troops and aid to the White Army in their struggle against the Bolsheviks through 1918-1921 and as a result, the Soviet Union was left very much as an isolated country, as it was by the western formation of NATO in 1949 during the Cold War. It was a country constantly feeling the approaching threat of Western Capitalism coming to destroy the fragile structure they had made. Stalin's five year plans themselves were driven by the perceived knowledge that, 'Either we do it, or they will crush us'.  The NKVD also gave frequent reports to the Politburo, and passed information directly to Stalin himself, announcing the discovery and capture of ever increasing amounts of saboteurs, spies, conspirators, and assassins. The NKVD of course had its own vested budgetary interests in the discovery of conspiracies, but if we are to assume that Stalin and his inner circle truthfully accepted that spies had infiltrated the regime, then the impact of the purges, specifically of the army, can be readdressed in a more illuminating light.
    Instead of an attempt to remove individuality and replace it with mindless loyalty to secure Stalin's personal position, it can be viewed as an attempt to quell a dangerous conspiracy and replace it with the only safe alternative to secure the success of the regime. The essential distinction between these two cases is in one instance a fundamental one that has already been discussed throughout, the nature of the personality and psychology of Stalin, juxtaposed against the ideological interests of the state; the nature of the individual or of the majority. The second distinction lies in the extent to which Stalin personally dictated the scope of the purges.
    Historians such as Conquest draw heavily upon the notion of a 'Stalinist regime' placing emphasis on the heavily centralised role of the leader in the mechanics of the purges. Conquest's Magnus Opus, 'The Great Terror', draws much of its source material from information released by the Soviet Union during the 'Khrushchev thaw', and can thus be suggested to contain a degree of unreliability as Khrushchev had his own political motivations in condemning Stalin for the purges, as he had served within Stalin's administration, and was attempting, at the time, to convey the view to the Politburo, through such instruments as his 'Secret Speech' that he would bring an end to this climate of fear, whilst fundamentally suggesting that guilt lay with Stalin's grave, not in their beating hearts. Because, it is rather hard to argue this point if you are to admit that this climate of fear was brought about by the ingrained mentality and the rivalries of government and its people, as a pose to a single symbolic figure, now deceased.
    Revisionists, drawing a lot of their information from the archives made available after the collapse of the Soviet Union in 1991, such as Getty are more prone to pointing towards the easy outlet of a scapegoat when discussing Stalin's control over the terror. Stalin's death brought about the release of thousands of people imprisoned in the Gulags, and their return to their rightful place in society. Whilst this should have been a cause for celebration it was in fact a period of disquieting uncomfortableness, as everyone was inwardly very aware of the fact that one half of the country had betrayed the other half to the secret police in order to remain out of jail themselves. As is so often the case with humanity in general, Getty suggests that it was easier for people to blame all of their own problems on one central figure, that could no longer answer back, than for them to stop and examine their own conscience, even for a second.
   
    In determining the causes of the terror therefore, there are several factors and wider contexts that must be taken into account and evaluated in order to define a distinct conclusion. Firstly the role of personal interest and psychological motivations of Stalin must be considered in order to decide as to whether the terror was borne out of a paranoid need to secure his own position at the head of the regime, or whether it was a genuine and ideological attempt to protect the revolution against the perceived threat of Capitalist spies and saboteurs. However, to draw a suitable conclusion from this concern, it is secondly necessary to look at the wider social and political contexts of the time. The social atmosphere of the 1930s was like trying to look forward to the bright future, whilst keeping one eye on the shadows lurking behind ones back. It was a time of great tension between old and young generations, as some classes were abolished, and others came into fruition. Some Bolsheviks had taken up temporary managerial positions to afford a living after the revolution, whilst others became more and more wary towards the permanent nature of these roles. Politically, the situation was not much different. Administration was complicated and the elite consisted of many different strata, all with their own personal prejudices and suspicions of each other, which gave rise to a festering culture of distrust. If then this criterion for the purges, along with the juxtaposition between personal and ideological interests is considered, then a conclusion can be drawn.
    Firstly, that the scale of the terror suggests a task too large for one man, and even for one organisation to carry out. It is important not to place too much emphasis upon Stalin's psychological aspects in the nature of the purges. As previously suggested, Khrushchev had his own personal motivations for blaming Stalin, as did the majority of the population, however, even if Stalin was a homicidal delusional maniac, a million deaths cannot be attributable to the personal delusions of one man, indeed, even willing executioners do not cover the sheer scale and extent of this. The Tsar had willing executioners in the form of the Okhrana, as did Yeltsin in the form of the KGB, however the scale of executions during these times pales in significance compared to that under Stalin and the NKVD. However, any mention of organised opposition or even of individual dissent is practically non existent in this era, whereas dissenters such as Litvinenko spoke out against later governments, which suggests a wider complicity spread throughout the population in allowing this terror to continue unabated. To justify this, we must reference the conclusions drawn as to the context of the era, and apply this criterion to the notion of the nature of the terror as a wide spread plague, too large for one man, too organised to be without central control, and too oppressive to be without the general complicity of the wider population. In the atmosphere of distrust and unexplored territories of the 1930s, it is not so far fetched to assume that whilst Stalin may have been the initiator of the purges, it was the rivalries, fear, and mistrust already instilled between the social and political strata that acted like a domino effect to carry through the implementations of this policy, and created a complicit accessory to the crimes committed against themselves. Thirdly, it is necessary, having examined the nature of the purges, to determine the cause. The perceived threats of Capitalism and Nazism to the Socialist ideal certainly provide an adequate explanation as to the reactant that set off the terror, and this is clearly evidenced in the otherwise seemingly counter-productive purges of the navy and the army.
    In summary, the terror was initiated but not wholly orchestrated by one man, its motives lay both in a desire to secure Stalin's personal position, but perhaps more in his fear of spies and saboteurs that threatened to undermine the state. The impact of this is seen in the threat of foreign invasion serving, as it so often does throughout the world, to instil jingoist uniting sentiments within the people, first creating the fear, but then turning it inwards, upon neighbours, friends, and fellow Bolsheviks, with the end conclusion that whilst Stalin was the author of the terror, it was not only the secret police, but the politicians, peasants, and factory workers, who ensured the continued purges of the period encompassing 1936-1938, whose impact was the fear and terror and ultimately deaths of people on a hitherto unprecedented scale.

Brendan George